The roman letterforms tend to have some characteristics of an italic or written construction. Yet the reference to writing with the broad-nibbed pen is still present, giving the letters a diagonal stress and a forward flow that facilitates reading. TheSans is a low-contrast typeface – i.e., the differences between thin and thick strokes are not very pronounced. It aims to fill that gap by providing the user with three compatible styles – TheSans, TheMix and TheSerif – in an optically harmonious range of eight weights, including real italics for each weight. It grew out of a dissatisfaction with the limited range of good typefaces available for corporate identity projects. ![]() ![]() Thesis was conceived as a versatile typographic system of ambitious scope. It has become the face of thousands of organisations, publications and web sites, making it one of the most widely used sans-serifs world-wide. Over the subsequent decades, TheSans came to epitomize the useful-yet-friendly, all-purpose contemporary sans-serif. TheSans is part of the Thesis superfamily which Luc(as) de Groot first published in 1994.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |